What is “literary criticism” and how is it related to political and social life? What do English professors do when they’re not teaching? How and why do we constantly invent new ways to talk about old books? Literary Criticism: A Sleepwalker’s Guide MCLACHLAN, TORIN | GIFFEN, SHEILA | BAXTER, GISELE MARIE | SHARPE, JILLIAN | ZEITLIN, MICHAEL | MCCORMACK, BRENDAN | FOX, LORCAN FRANCIS | CULBERT, JOHN | SHEPPARD, REBECCA | JACKSON, SARAH NELLE | AL-KASSIM, DINA | PARTRIDGE, STEPHEN | SCHOLES, JUDITH | GOODING, RICHARD | SMILGES, JOHNATHAN LOGAN | BAIN, KIMBERLY | DEER, GLENN | BRIGGS, MARLENE | TE PUNGA SOMERVILLE, ALICE SECTIONS (42) mclachlan-torin giffen-sheila baxter-gisele-marie sharpe-jillian zeitlin-michael mccormack-brendan fox-lorcan-francis culbert-john sheppard-rebecca jackson-sarah-nelle al-kassim-dina partridge-stephen scholes-judith gooding-richard smilges-johnathan-logan bain-kimberly deer-glenn briggs-marlene te-punga-somerville-alice past-course Recommended for students intending to become English majors. Open only to students in the Faculty of Arts. Fulfils the first-year component of the Faculty of Arts Writing and Research Requirement.
Reading and Writing about Language and LiteraturesĪ writing-intensive introduction to language and literary studies through the exploration of texts in their critical and theoretical contexts.
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